Picture of an Old Fine Arts Degree From the Early 1900

• 1882:  Students at the University of Iowa were required to study free-hand cartoon.
• 1900:  The Department of Philosophy and the Section of Classical Archaeology offered the first fine art history courses on the UI campus.

Charles Cumming. Students sketch a model in Cumming Studio with Cumming far left, Physics Building, 1900s.

• 1905-1925:  Charles A. Cumming (1880-1947) was caput of the fine arts program.  He believed that knowledge of art was necessary for the moral uplifting of people.
• 1907: The Marker Ranney Memorial Art Library was established past Martha Ranney through an endowment in her husband's memory.

Ranney Memorial Fine art Library, Schaeffer Hall, 1902-1907.

• 1908:  Carl Seashore (1866-1949), a scholar of the psychology of music and the graphic arts was named Dean of the Graduate College and served until 1937.  With President Walter Jessup he developed the School of Fine Arts in the 1930s.

Carl Seashore (past Mildred Pelzer) and President Walter Jessup.

• 1910:  A four-twelvemonth B.A. program in the Department of Graphic and Plastic Arts was established.
• 1920:  Department of Art History and Appreciation is founded.
• 1922:  The University of Iowa became the first major university to accept creative piece of work in lieu of written theses for graduate degrees in the fine and performing arts.  This is the origin of Iowa Idea—the innovative programme to bring major practicing artists to the faculty and combine Art History and Studio Art into one department.
• 1924:  Native Iowan Eve Drewelowe (1899-1988) received the get-go M.A. caste in fine arts granted by the University of Iowa.

Eve Drewelowe, Maverick (self-portrait), 1984 and Sheaves of Wheat, 1943.

• 1929:  Rufus Fitzgerald (1890-1966) was named director of the Schoolhouse of Fine Arts.  He selected the west depository financial institution of the Iowa River for the location of the arts campus.
• 1934:  President Jessup (1877-1944) defended the cornerstone of a new edifice to be built especially for the report of art.  Inspired by the educational philosophy of John Dewey and in association with Dean Seashore, he adult the Schoolhouse of Fine Arts and initiated the arts campus building program on the westward side of the river.

Walter Jessup laying the cornerstone of the Art Building, June 2, 1934. Inscription above the entrance.

Art Building, 2017.

• 1934-1940:  Grant Wood (1891-1942) joined the faculty.  He was i of the leading figures in the Regionalist art movement.

Grant Forest with student. American Gothic, 1930.

• 1936:  The Palladio-inspired new Art Edifice, designed past University Architect George Horner, opened.

Aeriform view of the Fine art Building c. 1940.

• 1936-1958:  Lester D. Longman (1905-1987), Princeton-trained art historian, was hired to direct the new joint art history and studio art program.

Lester D. Longman (1905-1987) c. 1940. Art Building Gallery, c. 1950.

• 1938:  The Department of Fine art was founded and based on the Iowa Thought of combining Art History and Studio Art. B.F.A., M.F.A., and Ph.D. degrees were added to the art program.  Longman introduced courses in modern and contemporary fine art and established a gallery in the Art Building.
• 1938-1941: Art historian H. W. Janson (1913-1982) was appointed to the faculty.  He later published the History of Fine art, which became the leading art history survey text in the United states of america.  His internationalist viewpoint clashed with Grant Wood'south regionalist vision.

H. W. Janson with comprehend of 8th Edition of Janson'due south History of Art.

• 1938-1940s: Nether Longman's directorship the Department of Art presented exhibitions of  contemporary art, often borrowed from New York collections, and purchased works that afterwards formed the foundation for the University of Iowa Museum of Art, including Max Beckmann's Karneval.
• 1940:  Elizabeth Catlett (1915-2012) was the starting time person, first woman, and beginning African-American to receive the M.F.A. caste.  She studied with Grant Wood and Henry Stinson and gained critical acclaim through her socially-charged prints and sculptures.  Catlett Hall, the largest dormitory on campus, was named in her accolade in 2017.

Elizabeth Catlett, 1940 graduation portrait and Sharecropper, 1968 linocut print.

• 1941-1945: Philip Guston (1913-1980), New York School painter and printmaker was appointed to the faculty.

1930 portrait of Philip Guston by Edward Weston and Guston's Martial Memory, 1941, with Iowa City background.

• 1945-1984:  Mauricio Lasansky (1914-2012) was appointed to the faculty.  He founded the innovative printmaking program that offered the kickoff M.F.A. in printmaking in the U.S.  He is considered a precursor in the evolution of the graphic arts as a critical fine art grade.  Together with his students, he established the Iowa Print Group for the exhibition of prints and the promotion of print culture.

Mauricio Lasansky with students. Nazi Drawings Serial by Mauricio Lasansky.

• 1946-1962: Owing to the influx of returning veterans on the Thou.I. Beak, the Academy of Iowa conferred more than graduate arts degrees in the post-war period than any other university.
• 1947: Byron Burford (1920-2011) appointed to painting faculty, having studied nether Philip Guston and Grant Woods.  Represented U.S. in Venice Biennale in 1968.
• 1948: In recognition of Iowa'due south innovative art program, Peggy Guggenheim donated Jackson Pollock's Mural to the Section of Art.  The painting arrived on campus in 1951.

Fine art students painting in studio with Professor Stuart Edie. Jackson Pollock'south Mural on wall, January 10, 1952.

• 1949:  Miriam Schapiro (1923-2015) received the Chiliad.F.A. degree.  She is one of the founders of the feminist art movement in the U.s..
• 1951:  Riva Castelman (1930-2014) graduated with a B.A. in Art History.  She became Director of MOMA's department of prints from 1976-1995 and was named deputy manager of curatorial affairs in 1986.
• 1957:  Roy Sieber (1923-2001), the first scholar in the Us to receive a Ph.D. in African art history, graduated from the University of Iowa.  He went on to mentor many students at Indiana University and became a research scholar for the National Museum of African Art at the Smithsonian Establishment.
• i959-1976 :  Frank Seiberling (1908-1990), art historian and Manager of the School of Fine art & Art History, encouraged the creation of the University of Iowa Museum of Art. He greatly expanded the Art History kinesthesia and added Intermedia to the Studio Art curriculum.  He also updated and expanded the Art Building complex with an administrative/printmaking wing and new sculpture, ceramics, and jewelry and metalsmithing studios.
• 1964: David Hockney (1937-) was appointed to the painting faculty.  Renowned as one of the leaders of the Pop Art movement of the 1960s.

David Hockney, A Bigger Splash, 1967, acrylic paint on canvas

• 1966-2000: Hans Breder joined the faculty.
• 1968:  Hans Breder (1935-2017) founded the Intermedia Program.
• 1969:  The Academy of Iowa Museum of Fine art opened in building designed by Max Abramovitz.  Ulfert Wilke (1907-1987) was appointed its first Director (1969-1978).

1970 aeriform view of Art Building and additions with the former Museum of Art on far right.

• 1973-1993:  Wallace J. Tomasini was appointed Director of the Schoolhouse of Art & Art History.  He collaborated with Joyce Summerwill at the UI Hospitals and Clinics in 1978 to implement Project Art, a programme to brand art accessible to hospital patients.
• 1975:  Charles Ray (1953-) received the B.F.A. degree.  He is regarded today as 1 of the most meaning sculptors of his generation.
• 1977:  Intermedia creative person Ana Mendieta (1948-1985) receives the Yard.F.A. degree.  A student of Hans Breder, she became a seminal figure in feminist fine art practise of the 1970s.

Ana Mendieta and her Silueta Series, 1973.

• 1984:  Maxwell and Elizabeth Stanley donated their collection of 800 objects of African art to the University of Iowa Museum of Fine art.
• 1989:  Project for the Advanced Study of Fine art and Life in Africa was established with Stanley Foundation back up.
• 1993:  Flooding of the Iowa River closes Fine art Edifice for the summer.
• 1994-2009:  Dorothy Johnson was named Director of the Schoolhouse and the program restructured into Studio Art and Fine art History Divisions.
• 2006:  Art Building West opened, designed by Steven Holl Architects of New York.

Fine art Building West, 2006.

• 2008:  The Iowa River Overflowing damaged much of the arts campus and rendered Art Building and Art Building Westward unusable.  The Studio Partitioning moved to former large-box shop south of Iowa City, renamed Studio Arts and the Art History Sectionalisation relocated to Seashore Hall on the master campus.

Studio Arts Building, 2009.

• 2011:  The Grant Woods Fellowship Program was founded under the custodianship of the School of Fine art & Art History.
• 2016:  The Visual Arts Building designed past Steven Holl Architects was opened, reuniting the Studio and Art History Divisions on the arts campus.  The One-time Art Edifice from 1936 is to be restored and repurposed.

Visual Arts Building, 2016.

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Source: https://art.uiowa.edu/about/historical-timeline-school-art-and-art-history

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